| 甄桢.林黛玉的“物哀美”[J].唐山学院学报,2021,34(2):70-73 |
| 林黛玉的“物哀美” |
| Lin Daiyu’s Beauty of “Mono no Aware” |
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| DOI：10.16160/j.cnki.tsxyxb.2021.02.010 |
| 中文关键词: 林黛玉 物哀美 红楼梦 |
| 英文关键词: Lin Daiyu beauty of mono no aware A Dream in Red Mansions |
| 基金项目: |
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| 中文摘要: |
| 物哀是日本一种传统的美学思想，在物语文学作品中逐渐发展并日趋成熟，《源氏物语》就将"物哀"精神表现得淋漓尽致。《红楼梦》与《源氏物语》是中日两国文学史上的经典名著，两部文学作品在诸多方面具有相似性，其中包括相似的"物哀"精神。作为《红楼梦》中的重要人物，林黛玉极具"物哀美"，文章从"物相之哀感美""知物哀之感动美""生命之瞬间美"三个方面对此进行了剖析。 |
| 英文摘要: |
| Mono no aware(the pathos of things) is a traditional Japanese aesthetic thought, which has gradually developed and matured in the monogatari literary works. The Tale of Genji fully displays the the spirit of "mono no aware". A Dream in Red Mansions and The Tale of Genji are both classic works in Chinese and Japanese literature history,where there are many similar aspects, such as the "mono no aware" spirit. As an important character in A Dream in Red Mansions, Lin Daiyu is extremely beautiful with"mono no aware". This paper analyzes this beauty from three aspects of "the beauty of material mourning", "the touching beauty of knowledge and sorrow" and "the instant beauty of life". |
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