赵海涛.对他者的翻案与自我的生成——论尾崎红叶小说翻案与创作的关系[J].唐山学院学报,2017,30(1):88-92 |
对他者的翻案与自我的生成——论尾崎红叶小说翻案与创作的关系 |
From Imitating Others to Distinguishing Oneself: On the Correlation Between Literary Imitation and Creation of Ozaki Kouyou's Fiction |
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DOI:10.16160/j.cnki.tsxyxb.2017.01.013 |
中文关键词: 尾崎红叶 小说创作 文学翻案 日本文学研究 |
英文关键词: Ozaki Kouyou fiction creation literary imitation Japanese literature studies |
基金项目:国家社科基金项目(16CWW010);江西省高校人文社科研究项目(WGW1511);江西省人社厅博士后科研资助项目(2016KY30);江西师范大学博士、博士后科研资助课题(0751) |
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中文摘要: |
明治大作家尾崎红叶在日本文学史上的地位不容小觑。先行研究中多从尾崎红叶对日本传统文学的承袭关系上的过度阐发,而使得学界的研究厚古薄今,对于尾崎红叶从西欧文学中寻找新的写作模式的现实却不甚重视。文章认为尾崎红叶的文学翻案不仅承袭了日本古典文学的养分,还受到西欧文学叙事方式的影响,他在充分吸收了外来文学的养分之后,探索出了一种综合东西方文学优势的新的写作模式。 |
英文摘要: |
The literary status of Ozaki Kouyou, a great writer in Japanese Meiji, is not to be taken lightly. Studies of Ozaki Kouyou mostly focus on his inheritance of Japanese traditional literature, and ignore his attempts to borrow new writing patterns form Western European literature. The author argues that in his literary imitation Ozaki Kouyou not only inherited the nutritive elements of Japanese classical literature, but also absorbed the nutrients of foreign literature, thus developing a new writing style by combining the advantages of East and West literature. |
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