| 张康.《全清词·雍乾卷》咏剧词剧目探究[J].唐山学院学报,2024,37(1):41-49,58 |
| 《全清词·雍乾卷》咏剧词剧目探究 |
| Exploration of Dramatic Poems in Quanqing Ci: Yongqian Volume |
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| DOI：10.16160/j.cnki.tsxyxb.2024.01.007 |
| 中文关键词: 全清词·雍乾卷 咏剧词 戏曲创作 审美风尚 |
| 英文关键词: Quanqing Ci:Yongqian Volume dramatic poem drama creation aesthetic trend |
| 基金项目: |
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| 摘要点击次数: 3332 |
| 全文下载次数: 1974 |
| 中文摘要: |
| 《全清词·雍乾卷》收录了雍乾时期的许多咏剧词，这些词作为文人戏曲批评的有效手段，不仅投射出这一时期禁戏毁戏严重、文字狱盛行等戏曲生态，而且也体现出戏曲文人"借戏存史""情归于礼"的创作审美风尚。不同于顺康时期，这一时期的咏剧词具有明显的时代特色：一方面词作主旨皆有关教化，另一方面词人在作词之时精于考据。 |
| 英文摘要: |
| The Quanqing Ci:Yongqian Volume includes numerous dramatic poems during Emperor Yongzheng and Qianlong's reign in Qing Dynasty, which serve as an effective means of criticism by literati towards theatrical works. They not only reflect the theatrical ecology of that time, such as prohibition and destruction of theaters, as well as the prevalence of literary persecution, but also embody the aesthetic trend of "using drama to preserve history" and "emphasizing emotions within rituals" among literary figures in the theater circle. Different from the Shunkang period(Emperor Shunzhi and Kangxi), the dramatic poems of this period have distinct characteristics:On the one hand, their main themes are all related to moral education; On the other hand, they have demonstrated the poets' high skills to textual research in their compositions. |
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