| 遇美娜,王钢.男性气概与女性气质:《辛柏林》中的性别象征与早期现代英国民族性[J].唐山学院学报,2022,35(5):77-82 |
| 男性气概与女性气质:《辛柏林》中的性别象征与早期现代英国民族性 |
| “Masculinity” and “Femininity”: The Sexual Symbol of Early Modern British National Identity in Cymbeline |
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| DOI：10.16160/j.cnki.tsxyxb.2022.05.011 |
| 中文关键词: 莎士比亚 辛柏林 男性气概 女性气质 民族性 |
| 英文关键词: William Shakespeare Cymbeline masculinity femininity national identity |
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| 中文摘要: |
| 《辛柏林》是莎士比亚创作的传奇戏剧。该剧通过对英国王室贵族男性气概和女性气质的艺术刻画,以及对男性社群内部、男性与女性之间紧张关系的细腻描写,揭示出性别象征与早期现代英国民族性的内在关联。男主人公波塞摩斯与两位王子的男性气概是早期现代英国民族性的性别象征;王后与公主伊摩琴则分别代表了野蛮、邪恶与温柔、贞洁两种女性气质,这两种女性气质威胁着早期现代英国民族性的塑造。剧中对两位王子身上女性气质的描写,以及对公主伊摩琴在男性社群中联结作用的展现,反映出莎士比亚对其所处时代性别等级极端二元化的反思;结尾处公主伊摩琴与波塞摩斯缔结婚姻则表达了莎士比亚"温柔与力量相结合"的民族性想象。 |
| 英文摘要: |
| Through the artistic depiction of the masculinity and femininity of the royal and noble characters, and the minute description of the male community, the tense relationship between men and women, Shakespeare’s legendary play Cymbeline shows the internal close relationship between the sexual symbol and early modern British national identity. The "masculinity" of the hero Posthumus and the two princes in the play is sexual symbol of early modern British national identity. Correspondingly, the queen and princess Imogen respectively represent two kinds of "femininity" of evil and barbarism, tenderness and chasteness,which threatens the shaping of early modern British national identity. The description of the femininity in the two princes and the display of the connecting role of Princess Imogen in the male community show Shakespeare’s reflection on the extreme duality of gender hierarchy in his time. At the end of the play, the marriage between Imogen and Posthumus expresses Shakespeare’s national imagination of "the combination of tenderness and strength". |
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