| 胡昕雯.从“因借”角度解读《园冶》中“天人合一”的美学理念[J].唐山学院学报,2015,28(5):39-40, 105 |
| 从“因借”角度解读《园冶》中“天人合一”的美学理念 |
| On the Aesthetic Concept of “Harmony Between Man and Nature” in YuanYe from the Perspective of “Borrowing” |
| 投稿时间：2015-07-09 |
| DOI： |
| 中文关键词: 中国古典园林 园林设计 因借 美学理念 中图 |
| 英文关键词: Chinese classical garden garden design borrowing aesthetic idea |
| 基金项目: |
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| 摘要点击次数: 7662 |
| 全文下载次数: 6038 |
| 中文摘要: |
| 由《园冶》的文本出发,分析“巧于‘因’、‘借’,精在‘体’、‘宜’”的中国园林设计基本理念及其所体现的审美特点。将建筑美和自然美有机精巧结合的中国古典园林设计,不仅表达了“虽由人作,宛自天开”的美学理念,更体现了中国传统哲学中“天人合一”的生存追求。 |
| 英文摘要: |
Based on the text of Yuan Ye, the author studies the basic ideas in Chinese garden design and their aesthetic characteristics through the ideas of “harmony with nature” and “appropriate forms”.
e combination between architectural beauty and natural beauty in classical Chinese garden design reflects the aesthetic concept of “ while made by man, beauty is determined by nature” and survival rule of “harmony between nature and human” in Chinese traditional philosophy. |
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