| 张甲子.“形似”与南朝山水诗的空间感[J].唐山学院学报,2015,28(1):86-89, 104 |
| “形似”与南朝山水诗的空间感 |
| Appearance Likeness and Spatial Sense of Landscape Poetry of Southern Dynasty |
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| DOI： |
| 中文关键词: 形似 赋法 诗法 山水诗 谢灵运 中图 |
| 英文关键词: appearance likeness straightforward narration poetics landscape poetry Xie Lingyun |
| 基金项目:教育部人文社会科学青年基金项目(12YJC751005)；河南省教育厅人文社会科学研究项目(2014-qn-640) |
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| 中文摘要: |
| 从赋法起源的“形似”说,在魏晋南北朝诗论、画论中得到了极大的发展,不仅确立了“文贵形似”“以形写形,以色貌色”的审美观念,而且被诗人积极地运用于诗歌创作中。其中,尤以谢灵运为代表,其山水诗中使用的“形似”创作手法,与南朝山水画的艺术手法是相通的,都体现了以“形似”见长的空间感。 |
| 英文摘要: |
The notion of appearance likeness, which evolved from straightforward narration, developed very fast in poetic and painting theories in Wei, Jin, Northern and Southern Dynasties.
w aesthetic standards were established and consciously employed by poets then, such as “advocacy of appearance likeness in literary creation” “appearance though appearance, colour through colour in paintings”.
e technique of appearance likeness used in landscape poetry, represented by poet Xie Lingyun, was quite similar to that of the landscape painting and both reflected spatial sense in appearance likeness. |
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