| 任春瑞.论歌德戏剧《陶里岛上的伊菲格涅亚》中的目光美学[J].唐山学院学报,2026,39(1):38-44 |
| 论歌德戏剧《陶里岛上的伊菲格涅亚》中的目光美学 |
| On the Aesthetics of Gaze in Goethe’s Play Iphigenie auf Tauris |
| 投稿时间：2025-03-04 |
| DOI：10.16160/j.cnki.tsxyxb.2026.01.006 |
| 中文关键词: 陶里岛上的伊菲格涅亚 目光 暴力 古典美学 歌德 |
| 英文关键词: Iphigenie auf Tauris gaze violence classical aesthetics Goethe |
| 基金项目:国家建设高水平大学公派研究生项目(留金选[2025]37号) |
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| 中文摘要: |
| 文章以哈贝马斯交往行为理论为框架,考察歌德戏剧《陶里岛上的伊菲格涅亚》中目光美学的建构机制。歌德在剧中所采取的伊菲格涅亚通过目光交流与理性对话消解暴力冲突的叙事策略,本质上与哈贝马斯的"交往理性"相符合,既实现了从狂飙突进时期身体叙事向古典主义精神书写的转型,又以人性启蒙的视角重构了古希腊悲剧中命运与救赎的命题。这种目光美学的建构,彰显了歌德将启蒙理性注入古典形式的艺术追求,使其最终在戏剧维度完成了对暴力美学的祛魅与对人性救赎的礼赞。 |
| 英文摘要: |
| This paper examines the construction mechanism of aesthetics of gaze in Goethe’s play Iphigenie auf Tauris through the framework of Habermas’s theory of communicative action. The play’s narrative strategy-whereby Iphigenia dissolves violent conflict through the exchange of gazes and rational dialogue-amounts to a literary transposition of Habermas’s "communicative rationality". It realizes a shift from the body-centered narratives during the Sturm und Drang period to the classical writing of spirit, and reconstructs the themes of fate and redemption in ancient Greek tragedy from the standpoint of humanistic enlightenment. The construction of this aesthetics of the gaze showcases Goethe’s artistic pursuit of infusing enlightenment rationality into classical form, ultimately achieving a disenchantment of the aesthetics of violence and a celebration of human redemption at the dramatic level. |
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