| 李巍.闻一多新诗理论的正名旧诗倾向[J].唐山学院学报,2016,29(4):77-82 |
| 闻一多新诗理论的正名旧诗倾向 |
| Justification of Traditional Poetry in Wen Yiduo' New Poetry Theory |
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| DOI：10.16160/j.cnki.tsxyxb.2016.04.014 |
| 中文关键词: 新诗理论 闻一多 旧体诗 新诗 |
| 英文关键词: new poetic theory Wen Yiduo traditional poetry new poetry |
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| 中文摘要: |
| 闻一多新诗理论在中国知识分子寻求全面欧化的情况下诞生，其要纠正的自然是新诗发展的偏颇，从而达到一种审美的自觉。但又不能否认的是自由诗也是诗，不乏审美价值，直到现在它依然是当代诗歌的主导形式。其新诗理论重新重视格律诗，强调诗歌之建筑美，必然导致旧体诗重新进入人们的视野。凭着对祖国深沉的爱，再加上对西方有关格律和形式诗论的有意剪裁式借鉴，不难看出他在有意无意中重新唤醒了中国古老诗歌的魅力，找到古典诗歌和传统文化的当代价值所在。 |
| 英文摘要: |
| Wen Yiduo developed a new poetic theory against the background of comprehensive Europeanization in Chinese intellectuals, so as to remedy the defect in the development of new poetry and achieve a kind of aesthetic consciousness. But it can not be denied that free poetry, as a kind of poetry,does lack aesthetic value but is still the dominant form of Chinese contemporary poetry. Wen's theory emphasizes metrical poetry and the architectural beauty of poetry, which inevitably leads to the return of classical poetry. With deep love for the motherland, coupled with the creative absorption of Western poetics concerning rhythm and form, Wen Yiduo reawakened the charm of Chinese ancient poetry and found the contemporary value of classical poetry and traditional culture. |
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