| 董迎春.“张力”语言:诗本体回归之可能——兼论陈仲义教授《现代诗:语言张力论》[J].唐山学院学报,2015,28(4):58-61, 68 |
| “张力”语言:诗本体回归之可能——兼论陈仲义教授《现代诗:语言张力论》 |
| Tension Language,and Possibility of Poetic Ontology Return: on Professor Chen Zhongyi’s Modern Poetry: the Theory of the Language Tension |
| 投稿时间：2015-05-28 |
| DOI： |
| 中文关键词: 张力 现代诗 语言 文学空间 中图 |
| 英文关键词: tension modern poetry language literary space |
| 基金项目: |
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| 摘要点击次数: 7427 |
| 全文下载次数: 6048 |
| 中文摘要: |
| 中国百年新诗发展一直秉承重视语言本体的创作精神,借助语言形成诗的结构“张力”与审美空间。陈仲义教授的专著《现代诗:语言张力论》吸纳西方“新批评”理论成果而又自我创新,使诗的各种形式、技巧展示与研究均指向了“张力”之美。此书的出版对现代诗的话语研究与诗人创作实践均具理论指导价值。 |
| 英文摘要: |
For the past 100 years in Chinese poetry, attention has been paid to the ontological language, the structure of “tension” and aesthetic space of poetry.
ofessor Chen Zhongyi’s Modern Poetry: the Theory of the Language Tension, which combines the theory of new criticism and his own innovation, directs various forms of poetry, expressive skills and research focus to the beauty of tension.
is book provides a theoretical guidance on the study of discourse practice of modern poetry and poetry creation. |
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